One murdered woman.
A missing child.
The diabolic father who will do anything to get his son back.
The female cop who risks everything to keep the boy safe.
CRESCENDO– Redemption with a bullet
As the only female Native American officer on the Bryson City, North Carolina police force, Inola Walela, must always play her A game. All bets are off when during a routine traffic stop the passenger insists her son has been kidnapped but is struck by a car before Inola can glean any hard facts. An altercation ensues and Inola’s partner is felled by a bullet—possibly from her gun. On administrative leave, fraught with guilt for allegedly killing her partner, and obsessed with the possibility of a missing child out there somewhere, she defies the force and her fiancé, Sheriff Steven Hawk. Inola sets off on her own journey to find the missing boy.
Breath catching in her throat, Inola rose to her knees. She winced as more tires screeched. Metal scraping metal added to the cacophony of noise and confusion. “Jesus,” she muttered, taking in the scene: the woman face down on the highway, arms and legs splayed, blonde hair covering her face.
“Inola!” Cody screamed.
She whirled to see her partner struggling with the driver. One handcuff was secured to the offender’s wrist, but the other swayed loose. The two men battled for Cody’s weapon.
A single gunshot split the air.
Inola jumped to her feet, drew her pistol, took a Weaver’s stance and fired. The driver’s mouth opened and closed as he uttered a deep guttural moan.
Inola ran, feeling as though she glided above the roadway. She kept her Glock trained on the driver. He shuddered. Gasped. His body went limp and dropped to a sitting position against the cruiser’s bumper. She kicked Cody’s gun from the driver’s hand and holstered her weapon.
Hand to his neck, Cody grinned shakily and croaked, “Nice shot, partner.” A trail of blood fell downward. Crimson puddled on the white line of the road. Cody emitted an odd gurgle and slid down the cruiser’s grille to plop beside the driver.
It took a moment for Inola to realize the blood wasn’t coming from the prisoner. Thick claret seeped through Cody’s fingers, staining the neck of his uniform and T-shirt, dropping to his hands in his lap.
Fingers shaking, Inola fumbled for the mic on her shoulder. “Officer down! Officer down! This is unit five-one-eleven. Three down. I need three busses.” She strangled a sob. Fury and terror took over all capacity of reasoning. “My partner’s been shot! Officer eleven-seven-four is down. Please…please help me!”
She dropped to her knees and reached out to stanch the flow streaming from Cody’s neck. “Hold on, partner. Medics are on the way.”
“Gave…up,” Cody stuttered. His eyes locked on Inola’s and then he lowered his head.
She followed his gaze to something clenched in his hand. Cody waved a credit card-sized piece of plastic between his fingers.
Inola’s stomach lurched as she took the slick, sticky card. Cody coughed and frothy blood bubbled from his lips. She gathered her partner in her arms and rocked him. “No, Cody. Dammit, don’t give up. Please! Please. Don’t give up.”
Hot wetness soaked the front of her uniform. She clamped a hand over his pulsating wound. His blood oozed between her fingers. Praying for the ambulance and backup to arrive, she glanced around. Her body convulsed as she took in the accident scene that resembled a disaster movie more than a real-life scenario. Cars were parked in a line along the exit ramp to her right. Gridlocked vehicles clogged each lane of traffic, stunned citizens stood a safe distance away. The ashen atmosphere muted every color as fat snowflakes fluttered from the sky.
The sound of footfalls alerted her that danger still loomed. She eased Cody to the ground, slid her Glock from its holster, pivoted toward shuffling steps.
A man approached, a woman’s limp body draped in his arms, blonde hair streaming downward, the hem of her flowered dress skimming the pavement.
Inola assessed the situation—Cody, the lifeless driver, the woman, the stranger. She was about to yell out to put the woman down. Didn’t he realize he had just tainted the scene by moving her? But the look of horror on his face stopped her protest.
“I didn’t mean to hit her.” He lowered to his knees and laid the woman at Inola’s feet. “Please, can you help her? I think she’s dying.”
Inola eased her hand out and carefully swept aside the veil of hair. Her stomach lurched at the sight of the right side of the victim’s head, flatter than it should be. She placed a shaking hand to the white as porcelain neck. No beat pulsated under her fingertips. “I’m sorry,” she told the man.
His shoulders slumped as he mumbled a few words Inola could not decipher.
She wrenched away and hurried back to Cody, pulled him to her lap and resumed clutching his neck. Although the blood had slowed, it continued a thick path and she worried he would bleed out right there in her arms.
“Cody, open your eyes, partner. I need you to stay awake until the medics get here.”
He didn’t stir. Sirens wailed, growing louder with each beat of Inola’s racing heart. Feeling every bystander’s eyes on her, she settled her gaze on the only person who could possibly understand the magnitude of what had occurred—who, too, would suffer the consequences of this unforeseen catastrophe—the man who had also killed someone that day.
Deborah J Ledford’s latest novel of suspense, CRESCENDO, is book three of the Steven Hawk/Inola Walela series. Other novels include SNARE, Finalist for The Hillerman Sky Award and the NM-AZ Book Awards, and the classical-music themed STACCATO. Deborah is a three-time nominee for the Pushcart Prize and her award-winning short stories appear in numerous print publications as well as literary and mystery anthologies. Part Eastern Band Cherokee, she spent her summers growing up in western North Carolina where her novels are set. Deborah invites you to visit her website: www.DeborahJLedford.com